Game Changers - MOMU Antwerp
Antwerp Day 2 July 3rd 2016
I am often in the head space that nothing can go wrong when you are in a museum....
Some may say that I just have my head in the clouds.
But when you are in a really good exhibition, time does seem to stop. One reacts emotively to what is laid out before you. It doesn't always happen and sometimes it may happen with just one object. (The same thing happens when walking in nature or being visually aware in a day to day way too). At Game Changers, MOMU, this was the case for me.
None more so than when in front of the pale, salmon silk, Balenciaga dress in the Technical Mastery case.
The account of my Fellowship travels in millinery, museums, makers, manufacturers, moda and more
Showing posts with label exhibitionOp Art. Show all posts
Showing posts with label exhibitionOp Art. Show all posts
Saturday, 30 July 2016
MOMU Sunday (continued)
MOMU Sunday (continued)
I was slightly Technically Challenged!
I was slightly Technically Challenged!
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one of the films from the opening section |
Following this breathtaking opening was the chance to see
a collection of Balenciaga dresses that one rarely has the opportunity to. The
first case was a collection of iconic black dresses. Two of these were
revolving to enable the detail front and back to be seen which worked so well.
There were definitely two dresses here that I would love to try to recreate.
Especially the piece with layered shoulders which had a similar silhouette to my
most favourite dress.
Something that I learned after my visit here and the conversation
with the Collections Manager was the importance of perfect mannequin-age the
idea that you just see the clothes, this is the holy grail of fashion
exhibitions. At MOMU one has found this.
The opening of the exhibition begins with the phrase ‘Tiger’s
Leap’ taken from the writing of Walter Benjamin, fashion’s reflecting on the
past to leap into the future. Balenciaga did this in the 1940’s creating a
whole new silhouette for women. Far removed from the New Look from Dior,
offering new readings of past shapes and continuing to experiment and push
boundaries.
The kimono always an iconic
garment, recreated in many forms by many designers. Can it be challenged?
Within the exhibition we see new ways of thinking and how the designers brought
together for this exhibition have challenged the form.
I learned from the space
between body and fabric from the traditional kimono not the style but the space
Issy Miyake
The language brings to mind
the context behind clothes and how we studying fashion continue to work with a
different narrative.
Labels:
Antwerp,
Balenciaga,
Belgique,
Belgium,
comme des garcons,
designer,
exhibitionOp Art,
fashion,
MOMU,
MOMUAntwerp,
museum,
Rei Kawakebu,
Sharon Bainbridge,
Uniqlo,
WCMT,
Winston Churchill Fellowship
Wednesday, 27 July 2016
One More Thing from Tilburg
Pop Art Fabrics and Fashion – From Warhol to Westwood
Temporary exhibition Textiel Museum, Tilburg
The exhibition was on the ground floor in the museum located
between the Lab and the historical gallery. Having had such openness of
conversation and photography even with the commissioned pieces happening in the
Lab it was strange to move to space of
no photographs. So my initial visit had some sneaky pictures, my second visit I
asked and the guard was kind enough to say yes for educational purposes. Which
with the complexity of the exhibition narrative and some innovative textile and
fashion curation was really helpful to record for future reference.
The exhibition opened in the era of Rock ‘n Roll with some
excellent examples of how textile print captured the zest and energy of the
time. Textiles as an advertising and marketing a tool were presented through pieces
from Bassett’s Liquorice allsorts, Bass Long Life Beer and Martini. This was
innovative brand development and pieces that are often discarded. The Martini
printed fabric had been made into a circular skirt confirming the sophisticated
message of the drink and its standing as an aspirational brand.
sneaky photo hence blurred.......martini skirt |
The hook of the exhibition were the pieces from Andy Warhol
and Vivienne Westwood. I have a mixed relationship with Warhol. I am in awe of
his ability to grab the zeitgeist of the time and be such an innovator. The
taking of his work by Philip Treacy to create headwear breathed new life into
over used visuals. So I stepped into this part of the exhibition determined to
remove my pre-conceived thoughts and biases. I was justly rewarded. The
textiles pieces were fresh and exquisitely created and charted the time pre
fame when Warhol worked as a graphic designer and created textile designs. With
the current vintage pattern trends the fabrics displayed were really appealing.
I particularly liked the colours and shapes on the lemon print and the fountain
pen print which had been made into a skirt. There were not many pieces in this
part of the display but enough to tell the narrative, make one smile and look
again at a designer who can be ubiquitous.
Warhol Lemon Print |
Turning from the Warhol the exhibition moved cleanly into
1960’s design. The tabloid of fashion was well formed with excellent
mannequins, displaying the clothes and the look. Fashion exhibitions can be
difficult, a fine line between a shop display and museum narrative. The casing
for the stands was beautiful. Sometimes it would be great to just walk into an
exhibition and see the exhibition not the accouterments that make it. But I am
away on research work, so I guess its allowed!!
Op Art dresses |
Great range of Rabanne, Quant, Cardin and some hand made
pieces highlighting how the look was taken on by teenagers and youths. The
vitrines along side had stunning selections of jewellery and accessories which
confirmed the pop art and op arts impact
on fashion and design. The scenography of the exhibition was well designed and
implemented.
The two rooms to the right charted the next stage and how
music played an influential role. There were some high profile pieces from
paper dresses and the adverts that promoted them to pieces designed and worn by
the Beatles. I particularly liked the knitwear piece designed by Hockney.
Always good to see a bit of Yorkshire.
The final room showcasing the Westwood pieces was a mix of video,
oversized objects, T-shirt design and the clothes from punk. Again well spaced
and engaged the viewer. Having such open space to exhibit and showcase work
makes such a profound difference.
Really excellent exhibition even more so when I was able to
take photographs.......
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